The foundations of Juxtapoz have all the time been within the place the place illustration, nostalgia, and superb artwork meet. Our founder, Robert Williams, was a prolific comedian illustrator, who believed that there was an unrecognized artwork motion surfacing from the American subcultural underground. His contemporaries like R. Crumb, Victor Moscoco, Craig Stecyk III, Spain Rodriguez, Todd Schorr, and plenty of others, have been making expressive artwork that got here from a spot of deep private reflection and cultural resistance, but the blue-chip gallery world was largely ignoring it. Since that point, Juxtapoz has championed the underground, which has develop into a a lot bigger and numerous idea with the rise of road artwork, pop surrealism, and even Instagram. 

All that leads me to Daniel Benayun, a younger artist from Boston who makes illustrative work impressed by early 20th-century pop-ephemera. His work faucet into an aesthetic that was developed for commercial, however by way of his steady examine and work, he has discovered a spot for himself within the steady dialogue of portray. Learn on under to listen to about his myriad influences and the way he is arrived the place he’s.

Eben Benson: What have been your inspirations as a child? Your work appears comic-inspired, however what else got here into play?
Daniel Benayun: As a younger boy I beloved The Adventures of Tin-Tin, Charlie Brown and books by Jules Feiffer. Throughout my childhood, I used to be pulled deeply into the world of animation by way of anime from Japan. Waking up on the daybreak with my brother Yona was synced with the Saturday anime line-up on the Sci-Fi channel within the 90s. Seeing films like Fortress of Cagliostro, Akira, and Robotic Carnival felt like getting into one other universe and I couldn’t get sufficient of it. 

Animation and comics have performed a significant position in my life. My introduction to artwork occurred by way of comics. My third-grade trainer, Mark Canner, had lined the partitions of his classroom with comedian guide strips. From the second I entered that classroom for the primary time all hope of me being a scholar of math or science was thrown out the window. Particular works within the room embrace a few of what I discussed above. It was throughout third grade that I started making comics of my very own. Only some months after being launched to the medium, I had my comics revealed often in our college newspaper.

Except for comedian books, different inspirations of mine stem from an extended historical past of going to yard and property gross sales. I went to my first yard sale at age 14. The primary merchandise I keep in mind shopping for was a tin storage field from the 50’s with a Wes Anderson-esque Park Ranger on a horse. This occasion planted a seed in my head that finally blossomed into the admiration I’ve for classic design, typography and different sides of this period. Previously few years this pastime for antiquing become a aspect hustle. I’ve hosted many property gross sales for owners in Boston, so I’m often surrounded by antiques.

When did you begin portray extra critically?
I’ve been portray my entire life. I’ve observed that each few years I enter a selected mode of creativity that just about feels manic within the sense that I appear to do nothing else however paint and eat.

Final yr for instance I painted round 100 work. Certainly one of my favourite pictures of myself is that this picture my sister Tamar took after I was a junior in highschool. I’m surrounded in my artwork studio (thanks Mother!) with actually a whole bunch of work I made. I skipped 150 days of faculty between my junior and senior years of highschool so I might simply be in my studio to color. I made lots of people indignant doing that, however I wished to make artwork as a profession.

What do you do exterior of portray as of late?
Outdoors of portray I train non-public artwork classes in Boston. I additionally get pleasure from enjoying guitar and studying books. I examine 150 graphic novels final yr. My favourite authors are Daniel Clowes and Osamu Tezuka. I additionally file quick comedy movies that I add to my Instagram every so often. I’ve a mini-series referred to as “The Benayun E-book Society”. The E-book Society movies are form of like “Log girl (Twin Peaks) meets Tim and Eric,” besides my rendition is infinitely worse! Making movies for Instagram is a gratifying expertise. I break down the wall between the viewer and myself. I really feel that it’s necessary for gallery guests (digital or actual) to fulfill artists and have conversations, make connections, and uncover an artist’s meant objective. Throughout my free time, when I’m not portray, artwork nonetheless manages to permeate the opposite sides of my life. I like to consider that query of objective. What does it imply for me to be a painter? This query led me to show artwork classes every so often. Artwork has had such a gorgeous impression on my life, therefore my need to evangelize whomever I can! It was an inevitability.


Do you go to museums a lot? Or comply with the artwork world? What was the final present you noticed that actually affected you?
I am going to museums pretty typically. I’ve a membership to the Museum of High quality Arts in Boston. The museum is a ten-minute drive from my residence, making it straightforward. They renovated the museum a couple of years in the past and it’s a actual magnificence. Though this has its downsides, a lot of my consumption of artwork the previous few years comes from Instagram. It has been wonderful to attach with quite a few totally different artists from all all over the world. Artists whose work I certainly wouldn’t have discovered with out Instagram. I’ve all the time been an enormous fan of the work of Mab Graves, who randomly began following my Instagram. This amazes me and acts as one other a kind of motivators that evokes me to play with this sensational social media device.

The final present I noticed that affected me was in New York a number of years in the past at The American People Artwork Museum. The exhibit was the everlasting assortment they’ve of the painter and author Henry Darger. For these unfamiliar with the work of Darger, Henry was a recluse employed as a janitor in Chicago through the 1940’s. Shortly after his loss of life his landlords started a clear up of his small residence the place he resided for almost all of his life. As they started to dismantle his room, they uncovered stacks of work, journals and writing that totaled actually hundreds of single-spaced pages of labor that he created all through his life. His work, a few of that are ten ft lengthy and double-sided, are like nothing you’ve ever seen. He was in a category of his personal as a creator.


It affected me to see somebody so outrageously devoted to artwork. This was my first introduction to the world of outsider artwork. I’d by no means be capable of describe myself as an outsider artist, however I definitely relate to the sensation of making artwork as a necessity fairly than a need.

Are you able to give our readers some background in your artwork?
I create artwork in a conventional method. I normally work with gouache, which is an opaque type of watercolor, and I sometimes paint on paper. I purchase large rolls of 50-foot lengthy printmakers paper that I minimize in my studio to suit no matter composition I’m engaged on. My course of normally begins with writing. I’ve stored journals since I used to be eight, compiling hundreds of pages. I return to them for creative inspiration. From these private assets I do a number of drawing on the pc. I like utilizing the pc as a result of I have a tendency to maneuver figures across the composition quite a bit. This will get me to the precise portray faster. I can spend 2 to four days on a portray, however some work will take me weeks. The longer one thing takes, the extra seemingly I’m to hate it. After ending a portray I by no means come again to it, which says quite a bit about how dedicated I’m within the sketching course of.


About my material, one of many first methods I ever made cash alone was by promoting antiques and objects I discovered at yard and property gross sales. All of that is to say that I’ve all the time surrounded myself with objects, artwork and ephemera from the early and mid-1900’s, and these aesthetics encourage me. The 1950’s led to a significant motion in promoting which went hand in hand with the creation of pop artwork. I see the paintings I create as a method of using the stylings of pop artwork and mid-century design to specific my very own narrative. I typically attempt to flip a theme from the previous on its head, which is normally offered paradoxically. Politically and ethically there’s a lot incorrect with the whole 20th century; sexism, racism, homophobia and struggle. With that stated, I don’t create my artwork out of reverence for this era previous, fairly I create to reimagine this time interval in a method I imagine to be morally sound. On this method, there’s a duplicity in every portray I make. On one hand, it’s referential to the damages of this time. For instance in my portray entitled “Votre Pensee Est Libre,” (translated “your thought is free,”) a gaggle in matching uniforms play baseball in entrance of a church. The textual content on the portray reads “your thought is free, imagine it or not.” The portray is offered as an commercial by way of using typography and placement of visible components. The that means behind this work is to specific that it doesn’t matter what your affiliation, spiritual or in any other case, that you simply as a person retain your free will. In one other portray, titled “Faire De Son Mieux”, I depict a gaggle of Bedouins on the desert in a circle sharing a meal in entrance of a palace. The textual content on this work says: “Do ones finest, admire individuals who can scratch a desert and produce a backyard.” I’m asking the viewer to admire these folks by way of the visible language of a 1950’s commercial. These works are all anti-advertisements disguised as commercials, juxtapositions of conventional promoting motifs when in comparison with what I love a lot of the human situation. I seek advice from this explicit sequence as “POSTORICAL.”